Category Archives: Debain

John Chichester-Constable

6 April 1927  -  7 December 2011

John Chichester Constable, who has died aged 84, spent much of his later life overseeing the restoration of his ancestral home, Burton Constable, in the East Riding of Yorkshire. Burton Constable is where you will find the skeleton of a sperm whale which was washed up on the beach at Tunstal in 1825. Herman Melville was aware of the skeleton and wrote about it in Moby Dick.

At a place in Yorkshire, England, Burton Constable by name, a certain Sir Clifford Constable has in his possession the skeleton of a Sperm Whale. Sir Clifford’s whale has been articulated throughout; so that like a great chest of drawers, you can open and shut him, in all his long cavities — spread out his ribs like a gigantic fan — and swing all day upon his lower jaw.

The full story is fascinating, and is described in detail in Philip Hoare’s excellent book Leviathan.
About ten years ago John Constable approached us to restore his Debain harmonium. The Constable family were recusant Roman Catholics and the Debain was in a chapel some way from the house and built in penal times.

In the Hall itself we were shown a mechanical tree with a miniature pipe organ and singing birds, alas now long since silent, and also made by Debain.

John Chichester-Constable with his Debain
John Chichester-Constable with his Debain
Debain label

Debain label

Looks like a Debain, sounds like a Debain, but is it a Debain? Part 2

We mentioned this instrument a few weeks ago and management has written a piece about it – our first article for the blog! There are plenty of photos, and you can see them all here.



Looks like a Debain, sounds like a Debain, but is it a Debain? Part 1

This beautiful French harmonium has just been restored in our workshop and is ready to go to its new home. We will write more about this remarkable instrument soon.

A new venue for us – St Mifs is so cool!

On a boiling hot day in early July, it was a relief to escape to the cool interior of St Martin-in-the-Fields off  Trafalgar Square. It is always interesting to discover how a harmonium will sound in a different venue as the acoustics are so critical in allowing the instrument to come alive. In the case of St Martin, the skills of player James Gough were rewarded by an impressive tone which could be appreciated right at the back of the church.

In short, a tuneful harmonium, an accomplished player, a great choir, super soloists and a decent acoustic = a satisfying concert. And remember – it’s Petite Messe Solennelle. (Yes, I did get it wrong when I first wrote this post!)

The chapel of New College, Oxford provides a superb acoustic for the Debain

A group from New College School, Oxford used the Debain for a performance of the Petite Messe Solennelle by Rossini.

Buckingham Choral Society perform Rossini

Rossini’s  Petite Messe Solennelle was performed by the Buckingham Choral Society on 27th March in Buckingham Parish Church. The Debain harmonium was played by Malcolm Hicks.

Debain at Bucks Choral Society

Debain harmonium at Temple Church, London

We took our Debain to London on 24th March for a performance of Rossini’s Petite Messe Solennelle at the Temple Church. Situated between Fleet Street and the river Thames in an area known as the Temple, it is the church for the Inner and Middle Temple, two of London’s Inns of Court.

The performance was given by the Temple Singers and the harmonium was played by Greg Morris,  Associate Organist of the Temple Church.

The Temple Church is one of the most historic and beautiful churches in London.
The Church was built by the Knights Templar, the order of crusading monks founded to protect pilgrims on their way to and from Jerusalem in the 12th century. The Church is in two parts: the Round and the Chancel. The Round Church was consecrated in 1185 by the patriarch of Jerusalem. It was designed to recall the holiest place in the Crusaders’ world: the circular Church of the Holy Sepulchre in Jerusalem.
Temple church London

Category Archives: Debain

John Chichester-Constable

6 April 1927  -  7 December 2011

John Chichester Constable, who has died aged 84, spent much of his later life overseeing the restoration of his ancestral home, Burton Constable, in the East Riding of Yorkshire. Burton Constable is where you will find the skeleton of a sperm whale which was washed up on the beach at Tunstal in 1825. Herman Melville was aware of the skeleton and wrote about it in Moby Dick.

At a place in Yorkshire, England, Burton Constable by name, a certain Sir Clifford Constable has in his possession the skeleton of a Sperm Whale. Sir Clifford’s whale has been articulated throughout; so that like a great chest of drawers, you can open and shut him, in all his long cavities — spread out his ribs like a gigantic fan — and swing all day upon his lower jaw.

The full story is fascinating, and is described in detail in Philip Hoare’s excellent book Leviathan.
About ten years ago John Constable approached us to restore his Debain harmonium. The Constable family were recusant Roman Catholics and the Debain was in a chapel some way from the house and built in penal times.

In the Hall itself we were shown a mechanical tree with a miniature pipe organ and singing birds, alas now long since silent, and also made by Debain.

John Chichester-Constable with his Debain
John Chichester-Constable with his Debain
Debain label

Debain label

Looks like a Debain, sounds like a Debain, but is it a Debain? Part 2

We mentioned this instrument a few weeks ago and management has written a piece about it – our first article for the blog! There are plenty of photos, and you can see them all here.



Looks like a Debain, sounds like a Debain, but is it a Debain? Part 1

This beautiful French harmonium has just been restored in our workshop and is ready to go to its new home. We will write more about this remarkable instrument soon.

A new venue for us – St Mifs is so cool!

On a boiling hot day in early July, it was a relief to escape to the cool interior of St Martin-in-the-Fields off  Trafalgar Square. It is always interesting to discover how a harmonium will sound in a different venue as the acoustics are so critical in allowing the instrument to come alive. In the case of St Martin, the skills of player James Gough were rewarded by an impressive tone which could be appreciated right at the back of the church.

In short, a tuneful harmonium, an accomplished player, a great choir, super soloists and a decent acoustic = a satisfying concert. And remember – it’s Petite Messe Solennelle. (Yes, I did get it wrong when I first wrote this post!)

The chapel of New College, Oxford provides a superb acoustic for the Debain

A group from New College School, Oxford used the Debain for a performance of the Petite Messe Solennelle by Rossini.

Buckingham Choral Society perform Rossini

Rossini’s  Petite Messe Solennelle was performed by the Buckingham Choral Society on 27th March in Buckingham Parish Church. The Debain harmonium was played by Malcolm Hicks.

Debain at Bucks Choral Society

Debain harmonium at Temple Church, London

We took our Debain to London on 24th March for a performance of Rossini’s Petite Messe Solennelle at the Temple Church. Situated between Fleet Street and the river Thames in an area known as the Temple, it is the church for the Inner and Middle Temple, two of London’s Inns of Court.

The performance was given by the Temple Singers and the harmonium was played by Greg Morris,  Associate Organist of the Temple Church.

The Temple Church is one of the most historic and beautiful churches in London.
The Church was built by the Knights Templar, the order of crusading monks founded to protect pilgrims on their way to and from Jerusalem in the 12th century. The Church is in two parts: the Round and the Chancel. The Round Church was consecrated in 1185 by the patriarch of Jerusalem. It was designed to recall the holiest place in the Crusaders’ world: the circular Church of the Holy Sepulchre in Jerusalem.
Temple church London

Category Archives: Debain

John Chichester-Constable

6 April 1927  -  7 December 2011

John Chichester Constable, who has died aged 84, spent much of his later life overseeing the restoration of his ancestral home, Burton Constable, in the East Riding of Yorkshire. Burton Constable is where you will find the skeleton of a sperm whale which was washed up on the beach at Tunstal in 1825. Herman Melville was aware of the skeleton and wrote about it in Moby Dick.

At a place in Yorkshire, England, Burton Constable by name, a certain Sir Clifford Constable has in his possession the skeleton of a Sperm Whale. Sir Clifford’s whale has been articulated throughout; so that like a great chest of drawers, you can open and shut him, in all his long cavities — spread out his ribs like a gigantic fan — and swing all day upon his lower jaw.

The full story is fascinating, and is described in detail in Philip Hoare’s excellent book Leviathan.
About ten years ago John Constable approached us to restore his Debain harmonium. The Constable family were recusant Roman Catholics and the Debain was in a chapel some way from the house and built in penal times.

In the Hall itself we were shown a mechanical tree with a miniature pipe organ and singing birds, alas now long since silent, and also made by Debain.

John Chichester-Constable with his Debain
John Chichester-Constable with his Debain
Debain label

Debain label

Looks like a Debain, sounds like a Debain, but is it a Debain? Part 2

We mentioned this instrument a few weeks ago and management has written a piece about it – our first article for the blog! There are plenty of photos, and you can see them all here.



Looks like a Debain, sounds like a Debain, but is it a Debain? Part 1

This beautiful French harmonium has just been restored in our workshop and is ready to go to its new home. We will write more about this remarkable instrument soon.

A new venue for us – St Mifs is so cool!

On a boiling hot day in early July, it was a relief to escape to the cool interior of St Martin-in-the-Fields off  Trafalgar Square. It is always interesting to discover how a harmonium will sound in a different venue as the acoustics are so critical in allowing the instrument to come alive. In the case of St Martin, the skills of player James Gough were rewarded by an impressive tone which could be appreciated right at the back of the church.

In short, a tuneful harmonium, an accomplished player, a great choir, super soloists and a decent acoustic = a satisfying concert. And remember – it’s Petite Messe Solennelle. (Yes, I did get it wrong when I first wrote this post!)

The chapel of New College, Oxford provides a superb acoustic for the Debain

A group from New College School, Oxford used the Debain for a performance of the Petite Messe Solennelle by Rossini.

Buckingham Choral Society perform Rossini

Rossini’s  Petite Messe Solennelle was performed by the Buckingham Choral Society on 27th March in Buckingham Parish Church. The Debain harmonium was played by Malcolm Hicks.

Debain at Bucks Choral Society

Debain harmonium at Temple Church, London

We took our Debain to London on 24th March for a performance of Rossini’s Petite Messe Solennelle at the Temple Church. Situated between Fleet Street and the river Thames in an area known as the Temple, it is the church for the Inner and Middle Temple, two of London’s Inns of Court.

The performance was given by the Temple Singers and the harmonium was played by Greg Morris,  Associate Organist of the Temple Church.

The Temple Church is one of the most historic and beautiful churches in London.
The Church was built by the Knights Templar, the order of crusading monks founded to protect pilgrims on their way to and from Jerusalem in the 12th century. The Church is in two parts: the Round and the Chancel. The Round Church was consecrated in 1185 by the patriarch of Jerusalem. It was designed to recall the holiest place in the Crusaders’ world: the circular Church of the Holy Sepulchre in Jerusalem.
Temple church London

Category Archives: Debain

John Chichester-Constable

6 April 1927  -  7 December 2011

John Chichester Constable, who has died aged 84, spent much of his later life overseeing the restoration of his ancestral home, Burton Constable, in the East Riding of Yorkshire. Burton Constable is where you will find the skeleton of a sperm whale which was washed up on the beach at Tunstal in 1825. Herman Melville was aware of the skeleton and wrote about it in Moby Dick.

At a place in Yorkshire, England, Burton Constable by name, a certain Sir Clifford Constable has in his possession the skeleton of a Sperm Whale. Sir Clifford’s whale has been articulated throughout; so that like a great chest of drawers, you can open and shut him, in all his long cavities — spread out his ribs like a gigantic fan — and swing all day upon his lower jaw.

The full story is fascinating, and is described in detail in Philip Hoare’s excellent book Leviathan.
About ten years ago John Constable approached us to restore his Debain harmonium. The Constable family were recusant Roman Catholics and the Debain was in a chapel some way from the house and built in penal times.

In the Hall itself we were shown a mechanical tree with a miniature pipe organ and singing birds, alas now long since silent, and also made by Debain.

John Chichester-Constable with his Debain
John Chichester-Constable with his Debain
Debain label

Debain label

Looks like a Debain, sounds like a Debain, but is it a Debain? Part 2

We mentioned this instrument a few weeks ago and management has written a piece about it – our first article for the blog! There are plenty of photos, and you can see them all here.



Looks like a Debain, sounds like a Debain, but is it a Debain? Part 1

This beautiful French harmonium has just been restored in our workshop and is ready to go to its new home. We will write more about this remarkable instrument soon.

A new venue for us – St Mifs is so cool!

On a boiling hot day in early July, it was a relief to escape to the cool interior of St Martin-in-the-Fields off  Trafalgar Square. It is always interesting to discover how a harmonium will sound in a different venue as the acoustics are so critical in allowing the instrument to come alive. In the case of St Martin, the skills of player James Gough were rewarded by an impressive tone which could be appreciated right at the back of the church.

In short, a tuneful harmonium, an accomplished player, a great choir, super soloists and a decent acoustic = a satisfying concert. And remember – it’s Petite Messe Solennelle. (Yes, I did get it wrong when I first wrote this post!)

The chapel of New College, Oxford provides a superb acoustic for the Debain

A group from New College School, Oxford used the Debain for a performance of the Petite Messe Solennelle by Rossini.

Buckingham Choral Society perform Rossini

Rossini’s  Petite Messe Solennelle was performed by the Buckingham Choral Society on 27th March in Buckingham Parish Church. The Debain harmonium was played by Malcolm Hicks.

Debain at Bucks Choral Society

Debain harmonium at Temple Church, London

We took our Debain to London on 24th March for a performance of Rossini’s Petite Messe Solennelle at the Temple Church. Situated between Fleet Street and the river Thames in an area known as the Temple, it is the church for the Inner and Middle Temple, two of London’s Inns of Court.

The performance was given by the Temple Singers and the harmonium was played by Greg Morris,  Associate Organist of the Temple Church.

The Temple Church is one of the most historic and beautiful churches in London.
The Church was built by the Knights Templar, the order of crusading monks founded to protect pilgrims on their way to and from Jerusalem in the 12th century. The Church is in two parts: the Round and the Chancel. The Round Church was consecrated in 1185 by the patriarch of Jerusalem. It was designed to recall the holiest place in the Crusaders’ world: the circular Church of the Holy Sepulchre in Jerusalem.
Temple church London

Category Archives: Debain

John Chichester-Constable

6 April 1927  -  7 December 2011

John Chichester Constable, who has died aged 84, spent much of his later life overseeing the restoration of his ancestral home, Burton Constable, in the East Riding of Yorkshire. Burton Constable is where you will find the skeleton of a sperm whale which was washed up on the beach at Tunstal in 1825. Herman Melville was aware of the skeleton and wrote about it in Moby Dick.

At a place in Yorkshire, England, Burton Constable by name, a certain Sir Clifford Constable has in his possession the skeleton of a Sperm Whale. Sir Clifford’s whale has been articulated throughout; so that like a great chest of drawers, you can open and shut him, in all his long cavities — spread out his ribs like a gigantic fan — and swing all day upon his lower jaw.

The full story is fascinating, and is described in detail in Philip Hoare’s excellent book Leviathan.
About ten years ago John Constable approached us to restore his Debain harmonium. The Constable family were recusant Roman Catholics and the Debain was in a chapel some way from the house and built in penal times.

In the Hall itself we were shown a mechanical tree with a miniature pipe organ and singing birds, alas now long since silent, and also made by Debain.

John Chichester-Constable with his Debain
John Chichester-Constable with his Debain
Debain label

Debain label

Looks like a Debain, sounds like a Debain, but is it a Debain? Part 2

We mentioned this instrument a few weeks ago and management has written a piece about it – our first article for the blog! There are plenty of photos, and you can see them all here.



Looks like a Debain, sounds like a Debain, but is it a Debain? Part 1

This beautiful French harmonium has just been restored in our workshop and is ready to go to its new home. We will write more about this remarkable instrument soon.

A new venue for us – St Mifs is so cool!

On a boiling hot day in early July, it was a relief to escape to the cool interior of St Martin-in-the-Fields off  Trafalgar Square. It is always interesting to discover how a harmonium will sound in a different venue as the acoustics are so critical in allowing the instrument to come alive. In the case of St Martin, the skills of player James Gough were rewarded by an impressive tone which could be appreciated right at the back of the church.

In short, a tuneful harmonium, an accomplished player, a great choir, super soloists and a decent acoustic = a satisfying concert. And remember – it’s Petite Messe Solennelle. (Yes, I did get it wrong when I first wrote this post!)

The chapel of New College, Oxford provides a superb acoustic for the Debain

A group from New College School, Oxford used the Debain for a performance of the Petite Messe Solennelle by Rossini.

Buckingham Choral Society perform Rossini

Rossini’s  Petite Messe Solennelle was performed by the Buckingham Choral Society on 27th March in Buckingham Parish Church. The Debain harmonium was played by Malcolm Hicks.

Debain at Bucks Choral Society

Debain harmonium at Temple Church, London

We took our Debain to London on 24th March for a performance of Rossini’s Petite Messe Solennelle at the Temple Church. Situated between Fleet Street and the river Thames in an area known as the Temple, it is the church for the Inner and Middle Temple, two of London’s Inns of Court.

The performance was given by the Temple Singers and the harmonium was played by Greg Morris,  Associate Organist of the Temple Church.

The Temple Church is one of the most historic and beautiful churches in London.
The Church was built by the Knights Templar, the order of crusading monks founded to protect pilgrims on their way to and from Jerusalem in the 12th century. The Church is in two parts: the Round and the Chancel. The Round Church was consecrated in 1185 by the patriarch of Jerusalem. It was designed to recall the holiest place in the Crusaders’ world: the circular Church of the Holy Sepulchre in Jerusalem.
Temple church London

Looks like a Debain, sounds like a Debain, but is it a Debain? Part 3

Internal hallmarks

In Part 2 we compared some external features of a harmonium, apparently made by the English builder Geo. Luff, with those of some middle-period instruments by the French builder Alexandre Debain. In Part 3 we compare some internal features; again the “English” photos are captioned Luff.
a) Where most builders used sugar-paper, Debain often finished off his bellows with fine white leather (1, 2).
b) The bright, powerful sound of these instruments derives largely from the extremely shallow reed pans (3-5), about half the usual depth, which along with the shallow plinth (see part 1) makes these Debains sit lower on the ground than most other harmoniums. Note also the characteristic strip of fleece under the front pallet-arms and the varnished top surface of the reed pan. Some Alexandres of this period also have the shallow reed pan and bright, powerful tone (6); indeed it is not always easy to distinguish the two makers’ instruments of this period.
c)The undersides of the reed pans have a strong family resemblance, note particularly the large steel “paddle” (arrow), a part of the Expression stop action (7-9). In each instance the reed sequence front to back is 1,2,4,3 so the bright 4′ (set 3) reeds sit directly under the Forte opening for maximum brilliance.
d) Though the upper face of the reed pan is highly finished, the underside of the valve board is  more rough and ready (10, 11). The valve hinges are crudely cut from leather scraps and are glued and tacked to the board, while the guide pins (if any) are ordinary steel nails, usually badly corroded from contact with the leather facing of the valve.
e) Lastly, the most important evidence: on the top face of the valve board of the ‘English’ harmonium is the following stamp (12) “A.D fr. Bte du Roi” = Alexandre Debain, facteur, Brevete du Roi. The ‘roi’ is stamped twice: does this mean the French and British monarchs (see medallions in part 1) ? Compare with the stamp found in the same place on a ‘real’ Debain (13) – though only one ‘roi’ here.

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